Legendary West End: Misty Albion musicals
In the modern world, for most people the word "musical" is traditionally associated with American Broadway, the shining lights and posters of many theaters, each of which beckons a charmed…

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Friendly takeover: interview with FFS
If the company does not have economic development, this often leads to a merger with a competitor. Is it exactly the same in music? With many so-called supergroups, this is…

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The Perfect Couple: Greatest Rock Duos
From The Last Shadow Puppets and The White Stripes, to The Chemical Brothers and Slaves, we suggest recalling some of the greatest rock duets. The last shadow shadow puppets Former…

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of albums

We were the last rock stars: a collection of Noel Gallagher’s best sayings

The king of rock and the witty master Noel Gallagher over the past decades has provided all music publications with invaluable news material. We decided to recall the best of his statements …

About Hip Hop Stars at Glastonbury
“Glastonbury usually comes to listen to guitar music, and even when the organizers throw something strange, you think,” Kylie Minogue? “But I’m not going to put up with hip hop on Glastonbury. It’s wrong.”

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It’s impossible to screw up with a black suit: interview with Hurts

From the very beginning of their career, opinions about Adam Anderson and Theo Hutchcraft are diametrically opposed: some love them for aesthetics and pop music for a wide audience, others hate them for the same reasons. Moreover, they are invariably impeccable in matters of style and fashion. This is recognized even by haters.

At the beginning of your career, we heard from you, “Do not leave! Never give up, because it is such a wonderful life!” On your third album, “Surrender” even the name itself hints at submission. Before or before whom are you capitulating?
Theo: The new disc is not about submission in its classical sense, but rather about liberation and the Continue reading

The Devil Made Me: Interview with Reverend Beat-Man

Beat Zeller is obsessed with music. The Swiss put together the monsters playing the crude minimalistic garage punk rock band in the early 1990s, when the genre was not yet popular. Later they headed for rock’n’roll wrestling, wearing masks, in the manner of Mexican fighters. After a couple of years, this style was also sent to gather dust in a long box and Zeller quickly re-qualified as a rock’n’roll preacher.

The outer shell may have changed, but the love of laconic classic rock remained. Moreover, it is presented without observing any conventions regarding the sound and technique of the game, but it brings a lot of pleasure, releasing internal archaic energy. In addition, a father of two children living in Bern works on the label “Voodoo Rhythm”, which regularly presents us with releases of unusual bands like Zeno Continue reading

You Must Love Music: Interview with Kodaline
New British rock superstars Kodaline are touring in support of their second studio album, Coming Up For Air. Before their recent performance in Munich, It's All Indie talked to the…

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Muse - "Drones". Two months later. Aftertaste
Disputes over the new work of Muse "Drones" have already subsided. And now, a couple of months after the album’s release, we’ll take a look at it again, so to…

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These critics of yours are so dumb: interviews with Foals
Journalist Lisa Forster sings the praises of Foals' fourth album, What Went Down. This, however, does not negate the fact that when meeting with her, frontman Yannis Filippakis and guitarist…

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10 frontmen who showed themselves in solo work
Any musical collective, good or not, has its own leader - this is the founder, vocalist, songwriter, ideological inspirer and a great charismatic, in the end (underline what is necessary).…

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